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More baffling yet is the fact that her 750-odd other works were devoured by generations of women – millions of them – to the extent that Cartland’s imaginary world of virgin heroines and curt aristocratic men, of horses and castles, earls and pearls and moonlight, became the much parodied benchmark for romantic fiction. Sometimes the novels had a historical setting such as the Napoleonic wars. But even the present-day scenarios, involving country-dwelling heroines living in houses with “Court” in the name, had overtones of Ruritania. Cartland’s fictional landscape was oddly similar to that of PG Wodehouse: the upper classes apparently untouched by the post-war settlement. |
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